I’ll return to the video pane, then from the Blend Mode popup, I’ll choose Behind. Let’s composite in the top clip by selecting it, and pressing V to re-enable it.Īs you learned in episode 6 “Video in Text Effects” I need to change the processing order of the clip so that it appears behind the Luma matted clip, and uses the black pixels of the gradient for transparency. In this case, I’m going for a creative look, not necessary a realistic one. Using the global control, I’ll select a purplish color for the sky. To create the grad effect, select the bottom clip, then press Command-6 to open the color board. You can ask adjust the angle to account for skies and other backgrounds that are not parallel to the subject or foreground. you can reveal more or less of the image. Gray pixels as semi-transparent and black pixies are treated as opaque. With the gradient selected, click the video button then in the compositing section, choose blend mode > Stencil Luma.įinal Cut Pro uses the white pixels as Luma Matte to reveal the top part of the image wherever the pixels are the brightest. I’m about to use the gradient as a matte to reveal only a portion of the clip below it. In order to see the effect the gradient will have on the bottom clip, disable the top clip by selecting it and pressing V. In the timeline drag the gradient downward so its sandwiched between the two video clips. In the viewer use the on-screen controls to adjust the gradients position to roughly half the frame. I’ll change the bottom color of the gradient to pure black,Īnd the top color of the gradient to pure white. With the gradient selected, open the Inspector, and reveal the Generator controls. Next, I’ll open the Generators browser, locate the Gradient, then press Q to connect it above the others while matching their durations. I’ll duplicate the clip by option-dragging upward, then select either clip and press X to set a range. It also has some basic color correction applied to improve the overall contrast. In the timeline, I placed a video clip from a recent shoot. We can re-create this looks in Final Cut Pro by using a gradient and a few blend modes. This allows the photographer to change one part of the frame without changing another. Like the name suggests, it’s called a grad because the glass graduates from color on one side to clear on the other. In this episode, I’m going to show you how to emulate a grad filter effect that’s been popular with photographers for many years.ĭuring a shoot, a grad filter is placed in front of the lens. If you can't find a LUT that matches what you're looking for, you can always go the paid route or learn how to create your own.Welcome to Final Cut Pro X in Under 5 Minutes, I’m Steve from. My suggestion is to load up some free LUTs to see how they work. Some LUTs are free (such as from freshLUTs) and some have an associated price. You can also create your own LUTs, but that's a very complicated process, so your best bet is to use your old pal Google and search for LUTs that can be used with Final Cut Pro. You'll find people have created LUTs that resemble modern films and even older films. Those changes can be anywhere from a romantic feel to an almost identical look of a certain film. Essentially, you load a clip into the timeline and double-click a LUT you've either added or is included by default, and the changes are automatically applied.Īlso: The best laptops for graphic designers With LUTs you can achieve very dramatic effects without having to go through hours of manually altering the various values for color. LUTs use predetermined sets of mathematical formulas to make adjustments to gamma, contrast, saturation, luminance, and hue to alter the look. LUT stands for Look Up Table and they make it very easy to change the look of your clips. I'm going to simplify this, so you don't get bogged down in terminology or the science of it all.
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